Sometimes on their own, but mostly in combination with 1 of the first 3 mics we covered. In general, the MD421 will capture more bottom and top than the SM57. It’s not clear why, but it’s a fact that almost all engineers can agree upon. AKG C414. I should note, I haven't used the 421 on guitar cabs in a long, long time. Many people agree that Sennheiser’s MD421 works just as well for the job, yet sounds noticeably different. The 57 just can't capture the fundamental on larger toms... but the fundamental on higher toms is captured nicely. Also check out the updated version of this mic: While dynamic mics are typically thought of as the “go-to’s” for electric guitar…, Because there are two condenser mics in particular, widely-considered to be the best-of-all-time, which are commonly used to record this instrument…. With condensers though, there’s a real potential for overloading and possible damage to mic. According to legendary producer Eddie Kramer: The M160 was his absolute favorite option on electric guitar. 10th September 2009 #1. lank81 ️. So, now that I have these two mics here, how are you guys that do this normally positioning them in relation to each other? Registration is free and easy. You could try the Clayman/Nordstrom approach (I know it wasn't invented by Fredrik, but its become synonymous with him), having one on-axis on the centre of the speaker, and another off axis pointed to the centre too. There’s no better bet than the Royer 121. The one other ribbon mic in particular that has been used on countless recordings over many decades is the Beyerdynamic M160. Then play both together to check and correct phase issues. The two notable features common to both the U87 and C414 are: For some reason, large diaphragm condensers almost always sound better than small diaphragm condensers when recording this particular instrument. Only thing to make sure is the capsules (not the mic itself) is the same distance from the speaker for phase reasons. Usually I mute one and find the best spot for that and then place the other. So, now that I have these two mics here, how are you guys that do this normally positioning them in relation to each other? Sponsored Links Remove Advertisements. Learn more Reply OPTIONS. Besides their legendary reputation, unparalleled versatility…. Third, its hum-compensating coil is excellent at blocking interference from nearby sources, which is a common problem with guitar cabs. Then it's too close to call. Often considered the standard “alternative” to the SM57 on electric guitar…. SM57 + Sennheiser MD 421 mic placement; Are you a heavy metal guitar player, collector or enthusiast? As to why this mic is so adored on electric guitar…. SM7b vs. Sennheiser 421 When you buy products through links across our site, we may earn an affiliate commission. SM57 + Sennheiser MD 421 mic placement. all of that is good. While dynamic mics are typically thought of as the “go-to’s” for electric guitar… That’s not … Which is great news for home studios, because chances are…you already have one. One theory is that the low-end rolloff at 200Hz compensates well for the proximity effect from close-miking a guitar cabinet. However, if you can afford it, and you want the one mic that’s almost guaranteed to over-deliver on its promises…. If so, we hope you will register now and join our community! The other two were a bit too honky for me. 1, 19.02.14 Sponsored by . And while that can be a bad thing…in this case, it only adds more character. But regardless of why…the Shure SM57 is so-insanely-popular on electric guitar, and so-cheap…that it’s the ONLY option I recommend for beginners. Manchmal muss es schnell und einfach gehen, nicht nur im Livebetrieb, sondern auch im Studio. If you can afford one, I definitely recommend checking it out, because just like the SM57, and MD421, you’ll use it all the time. It is what the majority of engineers prefer and recommend as the default option for newbies. The only reason you don’t often see them in home studios is their price. Board-Mitarbeiter . Both mics in the same basic spot and blend together, or do you feel out two completely different positions for each mic by ear? So if you want a mic tailored specifically for this one instrument, the Sennheiser e609 is the obvious choice. Read the forum discussions online for long enough, and you’ll start to notice 3 patterns on the topic of guitar mics: And while that might be a slight exaggeration…. Which is why in today’s post, we will cover the TOP 7 Microphones for Recording Electric Guitar. And the dynamic mic long known as the industry standard for this task is Shure’s legendary SM57. Dynamic mics, with their higher max-SPL’s are typically better equipped to handle these extreme levels. I do Royer 122 + 57 now. It also allows for more tonal variations from small changes in positioning. If anything this video convinced me that the two could compliment each other nicely. MB bei Facebook . That’s only half-the-battle, because it still needs to sound just as good on your recordings. Second, it features the less-common supercardioid polar pattern, which is perfect on-stage because it allows for near perfect isolation of the instrument. Few people would argue that this AKG mic has long been known as the most versatile condenser mic in existence, as it sounds good on virtually everything. And while electric guitar recording is a huge topic in-itself…. i like the 57 closer to the middle and the 421 halfway out to the edge. The first step in getting a good sound is starting with good microphones. You can literally search online for hours, and not find a single person who has tried this ribbon mic on guitar and not loved it. As long as you can do that, a condenser mic like the U87 or C414 can ad d an entirely new dimension to your guitar sound. That said, the mids aren't as aggressive sounding as the SM57. 50+ videos Play all Mix - Mic Test - SM57 vs e609 vs MD421 - Mark IV - Metal YouTube Mic Shootout: Sennheiser e906 vs e609 Silver vs Shure SM-57 With Scott Sill - … von AHChris, 19.02.14. What most people eventually discover is that MOST ribbon mics in general sound great as well. Gear Maniac . And if you DON’T, it should be one your shopping list anyway, because every studio should have at least one. One nice thing about the 421 is it doesn't need as much gain, and it's less fussy as to which mic pre you use. Beliebte Beiträge ★ 2 ★ für AHChris Beitrag Nr. Tipps & Tricks Fragen (FAQ) Regeln. First, its flat side-address design allows you to hang it by the mic cable from the top of your amp…no-stand-needed. In order to get the best sound from many amps, they need to be played a high volume. AHChris Registrierter Benutzer. Quick Links. Sennheiser e906 or MD421 - As an all purpose mic? The SM57 and MD421 were my favorite of the bunch. Sennheiser MD421 vs Beyerdynamic M201TG vs Shure SM57 am Gitarrenamp. In comparison, the MD421 has a wider frequency response, so it captures more highs and lows. Funny I have no problem spending $3k on a guitar, but $300 on a mic turns me off. Both side by side close to where the cone hits the dust cap. The MD 421 is just a bit pricey for my taste. The e609 takes the exact opposite approach, with a design created specifically for the sole purpose of recording electric guitar. For live performances, that means one-less mic stand on an already crowded stage. On my voice for example, the MD421 sounds better compared with the SM7, until you EQ it. The “other” condenser mic commonly recommended in guitar forums by experienced engineers is the Neumann U87. And since those two names are perhaps the best examples of what an electric guitar is supposed to sound like…. The M160 might not be a bad way to get one step closer to that sound. Because unlike the SM57 and MD421, which are widely-known for their versatility…. I know the SM7b is very covetted here at GS and it is a great mic but how does the 421 hold up against it? Im Board seit: 15.09.07 Zuletzt hier: 15.12.19 Beiträge: 337 Kekse: 891 Erstellt: 19.02.14 #1. That is why, you should almost always keep the pad engaged, just to be safe. SM7b vs. Sennheiser 421. Which you certainly want to avoid with a mic as expensive as the U87. Unfortunately it’s not cheap either, and probably beyond the budget of most home studios. Gemütlich abhängen mit Sennheiser e906. And just like the SM57 the Sennheiser MD421 is so-versatile that most engineers say it’s a must-have tool in their arsenal, whether they record electric guitar or NOT. While the Royer 121 is no-doubt the top ribbon mic for electric guitar…. If so, we hope you will. Common wisdom states that guitar amps are typically recorded with dynamic mics. This was exactly the difference I was hearing that sparked my interest in the MD 421.