With an open, transparent sound that suits nearly every type of performer, the KMS 105 is sure to make any singer a star. So it’s not stable in the very deep bass region. A higher signal-to-noise ratio is always preferred as it means you get lesser background and electronic noise and more of your own vocals. The KMS105 is a great microphone to use for live situations, it is more on the higher priced side of microphones but it is well worth the money. Some people have said that the response curve is similar to a beta 87 but I have not heard a similarity in the real world. You know which one I mean. It's highly sensitive to placement and mic technique. Condenser mics bring out the best in your voice. It also comes in either a nice silver color or straight black, both of which look pretty cool with the Neumann logo on it. And patterns that lie on one half are unidirectional, while those that lie on both are bidirectional.eval(ez_write_tag([[250,250],'thehifiguide_com-leader-1','ezslot_13',112,'0','0'])); The super-cardioid pattern is somewhat bidirectional. And why so? The rest of the curve remains somewhat straight till it suddenly rises between 10,000 and 20,000 Hz, and then falls again.eval(ez_write_tag([[250,250],'thehifiguide_com-medrectangle-3','ezslot_11',106,'0','0']));eval(ez_write_tag([[250,250],'thehifiguide_com-medrectangle-3','ezslot_12',106,'0','1'])); This pattern is reminiscent of most vocal mics. However, some mics can be more portable than others, using a battery instead of an active connection. It is good at blocking out other noise and has a rich tone to it. The Neumann uses a highly protected condenser capsule that provides crystal clear highs and deep lows. Without EQ it sounded "exactly" like my voice (I am a baritone with big dynamic range and reasonable vocal range D2 - G4). The Neumann KMS 105 can control and maintain a smooth proximity curve via its 120 Hz high-pass filter. The acceptance angle is the maximum angle at which your voice can be detected by the mic without any obvious distortions. Condenser mics, on the other hand, are better for generating more delicate, fragile sounds. Pop filters aren’t recommended for use outdoors, as they aren’t as apt at reducing sound as the foam is. It doesn't have that imbalance between clearness and smoothness that is so present in cheaper dynamic vocal mics. Along with that, you also get a fully-equipped nylon bag with padded insides to secure your mic against impact damage. But be sure, super-cardioid patterns stay nominally noise-free. Read Sweetwater customer reviews for Neumann KMS 105 Supercardioid Condenser Handheld Vocal Microphone - Matte Black Reviews. The main amplifier of the circuit and the rest of the circuitry are housed within a tough metallic case. I picked Neumann for it had the most transparency, air, and presence. And for that purpose, it is a perfect fit for use on tours and large stages. Phantom power is required by almost all condenser mics, so it’s not a surprise. It’s quite famous by now as one of the best studio recording mics for mid to high range frequencies.eval(ez_write_tag([[336,280],'thehifiguide_com-box-3','ezslot_3',105,'0','0'])); Inside its stainless steel headgrille, you get to see a metal pop filter. Or if you’ll be alternating between high and low notes. We both liked KMS 105 for its clarity. And higher frequencies will more or less remain consistent. The pop filter does not interfere with sibilance (s- or sh- sounds), nor does it impact the direction of your voice. Neumann KMS 105 Review (2020) The Neumann KMS 105 is a condenser mic that uses a super-cardioid polar pattern with a smooth frequency response. Neumann KMS 105 MT Condenser Microphone, Super-Cardiod,Matte Black. The frequency range is great especially for live shows and it does a great job of not picking up other sounds and vocalist in the background. It has a smooth frequency response with a super-cardioid polar pattern and a full-metal body. The stand clamp is quite a simple accessory, but it has a lot of uses. However, when you move the mic closer to you, say by 5 cm or more, the bass curve significantly rises. The response curve gradually rises from 20Hz to up to 200 Hz, where it starts becoming a bit more stable. The proximity effect makes the mic sensitive to even 20 Hz frequencies when it’s only sensitive to 50 Hz frequencies normally. It can boost the tone of your voice and make you’re singing a lot more dynamic.eval(ez_write_tag([[300,250],'thehifiguide_com-medrectangle-4','ezslot_1',114,'0','0'])); When discussing the frequency response, the rise in volume from 50 to 200 Hz is gradual. Super-cardioid mics have an acceptance angle of 170 degrees. I believe it is designed for on stage use and built for touring, however it also works really well in a studio setting, especially for people recording live in a room together who want a mic that has the sound quality of a Neumann and the flexibility to block out outside noise when a singer puts their mouth right up on the mic. But an active connection allows you to record and sing live for hours at a time, which is great when you’re on tour.eval(ez_write_tag([[468,60],'thehifiguide_com-large-leaderboard-2','ezslot_8',111,'0','0'])); Plus, due to its low impedance of just 50 ohms, it can readily transit through cables of over 1,000 feet with little to no losses. I plugged in some of the usual standards, including the trusty 58. It has very low noise and uses a super cardioided polar pattern. Also read the Shure Super 55 review here. The Neumann KMS 105 uses a super-cardioid polar pattern. Nylon is known for its water-resistance, so your mic will survive a few splashes inside the bag. The dimensions of Neumann KMS 104 differ slightly from those of KMS 105: the former measures 8.2 x 3.7 x 3.7 inches whereas KMS 105 comes in at 8.1 x 3.5 x 3.5 inches. Finally, we all know that. Want a chance to enter our monthly giveaway? So it’s great for some high-level transcript or vocal recording. The proximity effect refers to how the bass in your voice increases as you move closer to the mic. The Neumann KMS 105 brings the fabled Neumann quality to the live stage. Rejects mechanical and electronic feedback. 1 people did not find this review helpful, 2 people did not find this review helpful. The pattern remains mostly super-cardioid from 2 Hz up to 1,000 Hz. Though it’s not exactly waterproof, it can still be used in some humid environments temporarily. The lobe exists and picks up noise if the room is heavily noise-insulated. It will reveal more about a singer than just about any mic I've used. I conducted a back to back test for the three mics: Neumann KMS 105, Shure KSM9 and Senheiser 965e. Neumann’s KMS 105 is a condenser microphone. By using our services, you agree to our use of cookies. It is this pattern that lends the Neumann its ability to control the proximity effect so efficiently. Win anything from speakers, headphones and soundbars, no catch! These signals can transmit over long distances.eval(ez_write_tag([[336,280],'thehifiguide_com-banner-1','ezslot_10',110,'0','0'])); Condenser mics differ from dynamic mics in that dynamic mics are for rendering louder vocals and music. I first used the Neumann KMS 105 about 2 years ago. But trebles and high whistle-notes will render beautifully.eval(ez_write_tag([[336,280],'thehifiguide_com-large-mobile-banner-1','ezslot_7',113,'0','0'])); The best part about the super-cardioid pattern is its extreme Nosie rejection from the sides. Hi, I'm the owner of the Hifi Guide and have been an audio lover enthusiast for over 16 years. SPL refers to the Sound Pressure Level, and it is the volume of sound the speaker can produce when we place it 1 meter away from the listener.