T he melodic minor scale is a scale that you’ve probably learned early on in your musical development, but it can take on a whole new life when applied to jazz. The Double Harmonic Major Scale is a very interesting scale, having two consecutive half steps and two minor third intervals (whole-half steps) in its scale. These scales above have a minor scale sound to them because they have seven tones and a minor third interval along with a perfect fifth. This structure does not present any transpositional symmetry. Alternative names: Locrian sharp 3, Oriental flat 6, Mixolydian flat 5 flat 9 flat 13, Mixolydian b2 b5 b6 It starts from the fifth grade of neapolitan scale. Most other popular musical systems in the world are still The common names for its modes don’t even follow the typical modal names. This mode is named after the Hungarian composer Belà Bartok, and is one of the most popular modes in the East-European music. Guitar players such as Jimmy and Stochello Rosenberg and Bireli Lagrene commonly use this scale in jazz gypsy music. The concept of "mode" in Western music theory has three successive stages: in Gregorian chant theory, in Renaissance polyphonic theory, and in tonal harmonic music of the common practice period. Related Modes Summary Modes have been used in music long before the Western world started to favour harmony, and settled for the major and minor scales. The Hungarian Minor is mode 4 of the Double Harmonic Major which has 7 possible modes. These scales can also be played over many altered dominants. Modes and scales. melodic minor scale. This structure is not a bi-triadic hexatonic. Middle Eastern oud music also makes use of this scale. Let’s dig into the modes and their mirrors: Hungarian Minor (+1) <-> Oriental (-1) This scale is a very useful and versatile scale for improvisers to know and not just for soloing over minor chords or tonalities. Structure: 1311222 Modes of the Gypsy Minor scale. A musical scale is a series of pitches in a distinct order.. Some also lists the gypsy minor as hungarian, hungarian minor, double harmonic minor, and hungarian gypsy minor. These modes all share a dissonances that allows them to be played with great effect over dominant 7th chords. This lesson presupposes an undertanding of modes ( of the major scale). It is composed of 7 notes and can be transposed without repeating notes, into 12 different keys. The Hungarian gypsy minor scale can be seen as a harmonic minor scale with a #4 (or b5).