The SM-57 is a fantastic dynamic mic ideal if you want a close, direct and clean sound. You won’t hear the hembra and the macho in different panning scenarios. You can achieve this with a condenser mic overhead or otherwise farther away from the music. This dynamic mic has the advantage of being high quality and fairly affordable as well.eval(ez_write_tag([[250,250],'soundadventurer_com-large-leaderboard-2','ezslot_11',141,'0','0'])); The best advantage for condenser mics as I will go into more detail later is that you are able to capture more of the sound of the room. Use your mic stand to position your dynamic mic with the following parameters: As contrast, another idea is to put the mic closer to the macho (the smaller drum)–since the macho has the high crisp sound and the hembra has the low resonant sound, the macho is often more desired in your track than the hembra. No big deal, it still works. The bongos hail from Cuba and came into being within the Son style of music in the mid-1800s.Son is an organic merging of African and Spanish music from the eastern part of Cuba. For my dynamic mic (Shure SM-57) with my particular audio interface (the Shure X2u), I set my mic gain to as high as it could go and I didn’t have any clipping with this set up. I hope to help you on your journey to find your sound! I think I have that MDA plug, I'll give it a try - many thanks. It’s practically a brick; really tough, and used often for recording drums. My room isn’t really great for recording, so this isn’t ideal for my situation, but if you do have a room sound that you want to capture, using a condenser mic is a great way to go. The diaphragm of dynamic mics are also small and robust enough to handle the sound of your drums without any issues. I recorded the bongo drums at the same levels in the same room in the same place with varying distances from the bongo drums. Sennheiser offers a 3-mic kit for drums, I believe they're E604s, which I have READ sound 'better' than SM57s. This is ultimately up to your preference, but from my research, it makes the most sense to record bongos in mono. This is generally not considered the most ideal position for recording bongos, but it is done. You can place a DPA mic within one centimeter of the drum head and experience no mic overload. I've seen various mic set ups for congas and bongoes. I'd go for your SDC around a foot back, outfront and slightly above the bongos. Die kleinere Trommel nennt man macho (spanisch Männchen), die größere hembra (spanisch Weibchen). Sie stammen aus Kuba. Some think that you get more of a classic bongo sound when you include more room sound. The player of the bongos. This is the biggest sale of the year! I read about others, however, that use clip-on mics for bongo drums. You can clip it one of the two drums and angle the microphone to be centered (or biased towards the drum you want to capture more). This is different though when you think about it, because the different drums play very different roles in a song, and therefore need to be equalized and treated differently. Bongo stands are very nice because they enable you to play bongos while standing, and make it a lot easier to mic your bongos because they won’t be moving. web browser that For example, if the vocals are calling and the bongos are responding or filling to the vocals, pan the vocals maybe 15%-25% (give or take) one way and the bongos 15%-25% the other. Terms and Conditions for Sound Adventurer, Dynamic Mic (like the Shure SM-57) OR a condenser mic, Bongo Stand or a Bongosero (you) to hold the Bongo Drums, Position the microphone pointing across the bongo drums, there is no need to point the microphone directly at the bongo drums, Position the mic parallel to the bongo drum heads about 3-4 inches above the bongo drumheads, between the two bongo drums. I have a passion for music and the amazing sounds in this world. The most straightforward and common way to record bongos is to directly mic them by placing a dynamic mic 3-6 inches above the center, off to the side, and between the two bongo drums. Often condenser mics are used for Latin percussion where direct mics aren’t used. And while stereo can be nice, it is far from necessary. It’s understandable why this question comes up because when we mic a drum-kit we have a separate channel for the bass, the cymbals, the snare, the hi-hat, etc. eval(ez_write_tag([[250,250],'soundadventurer_com-large-mobile-banner-1','ezslot_1',120,'0','0']));Condenser mics are more sensitive because of their large diaphragms, and thus aren’t the go to mic for other percussion in many cases (like a drum kit for example), however, it can work really well for your sound if you get proper distance. The first thing to decide is what kind of sound you are looking for your bongos in your recording. What is the name or brand of these small mics that are attached to each drum on the congas and bongos? The bongos were originally the only drums used in Son music and, because of their soft sound and high pitch, were played only during the introduction and verses of the songs. A small-diaphragm condenser or a dynamic mic would work well for this purpose because of the close proximity. We have had this song knocking around for the last eight months adding and deleteing different elements everytime we play around with it, i got it out again the other day with a group of friends and decided to add some bongo' to the intro, a friend has offered to bring bongo's and play them on thursday, any advice on how to get the best results (mic techniques/placement would be appreciated. As I've been learning about different instruments I've asked some of the most basic questions, such as how many sound holes does a flute have--I've been blown away by how little information there is... With the dozens of guitar string types out there an inevitable question pops up: What's the difference between getting lighter (thinner) gauge guitar strings and the heavier (thicker) gauge guitar... Hi, I'm Peter. If you are in a square room without soundproofing, in general you’re going to get a reverb that doesn’t sound good, as the sound waves will echo and cancel each other out, affecting tone.