| Altered Scale | Arabic Scale | Ascending Melodic Minor Scale | Augmented Scale Third, sticking to this tonality for one more lesson will drill it into your ears a little more. In Fig. • Understand how to create the Super Locrian scale. To recap what we covered previously, the Super Locrian scale consists of a dominant 7 arpeggio, along with the four alterations (b5, #5, b9, #9). Melodic Minor b13 | Melodic Minor Scale | #mc_embed_signup{background:#fff; clear:left; font:14px Helvetica,Arial,sans-serif; width:100%;} Modes | Harmonic Minor Scale | Harmonic Minor So it really is the height of dissonance and when resolved properly, it sounds incredible. For this reason we’ll be playing over a B7alt chord in this lesson, but to keep the accidentals at a minimum, I’ll write everything as though it’s C melodic minor. Scale Modes | Hindu Scale | Hungarian Minor Theory: Advanced Terms Of Use. Pentatonic Scale | Major b6 Pentatonic Scale | Major Pentatonic Scale | Major Scale | Major Scale Modes | Man Gong | Melodic Minor (Descending) Scale | Melodic Minor b6 | Melodic Minor Scale Modes | Minor Pentatonic | Minor Scales | Minor Third - Half Step Scale /* Add your own Mailchimp form style overrides in your site stylesheet or in this style block. | Altered Mode | Altered Pentatonics So it really is the height of dissonance and when resolved properly, it sounds incredible. Click here to download MP3s and a printable PDF of this lesson’s notation. Show me chords that sound good with a F# Altered scale. Copyright © 2015 all-piano-scales. Fig. | Harmonic Major Scale | Harmonic Major Scale In music, the major Locrian scale, also called the Locrian major scale, is the scale obtained by sharpening the second and third notes of the diatonic Locrian mode. Next, in Fig. 4, we take the Eb+ (Eb augmented triad) and play it against the backing track, which gives us a B7#5 sound. Again, serious students may want to work out how to play the scale in diatonic fourths, fifths, sixths, and sevenths. Something a little more exciting than those predictable 1st-position blues scale licks—not that we want to lose those, of course. The name "Locrian" is borrowed from music theory of ancient Greece.However, what is now called the Locrian mode was what the Greeks called the Diatonic Mixolydian tonos.The Greeks used the term "Locrian" as an alternative name for their "Hypodorian", or "Common" tonos, with a scale running from mese to nete hyperbolaion, which in its diatonic genus corresponds to the modern Aeolian mode. Home > Musical Modes > Melodic Minor Scale Modes > Super Locrian Mode > F Super Locrian, A   Acoustic Scale | Aeolian | Aeolian b5 | Aeolian #3 | Aeolian Major 3rd | Aeolian Major 7th | Aeolian Natural 7 Scales   U   Ukrainian Levi Clay is a London-based guitar player, teacher, and transcriber. On this page, you find several fretboard diagrams for the Super Locrian Bb7 scale, with box and 3 notes per string patterns. Guitar Scale: F Altered - F Super Locrian - F Diminished Whole Tone Information - GuitaristsReference.com Close Whole Note Scale | Whole-Tone Scale, Mentions légales | Charte de confidentialité. In this post we're going to learn how to play the Super Locrian scale, with the help of fretboard diagrams and guitar tabs. Augmented Scale | Inverted Diminished Scale | Ionian | Ionian b2 | Ionian b3 | Ionian b6 | Ionian b9 | Ionian b13 | Ionian b2 b6 | Ionian b6 b9 | Ionian b9 b13 | Ionian #5 | Ionian Augmented   J   Jazz Minor Scale | Jazz Minor #4 Scale | Jazz Minor #11 Scale | Jazz Minor Inverse   K   Kumoi Scale   L   Locrian | Locrian b4 | Locrian b11 | Locrian bb7 | Locrian #2 | Locrian #6 | Locrian Diminished 7 | Locrian Natural 2 | Locrian Natural 6 | Locrian Natural 9 | Locrian Natural 13 | Locrian Pentatonic Scale | Lydian | Lydian b2 | Lydian b3 | Lydian b7 | Lydian b9 | Lydian #2 | Lydian #5 | Lydian #9 | Lydian #2 #5 | Lydian #5 #9 | Lydian Augmented | Lydian Augmented #2 | Lydian Augmented #9 | Lydian Diminished | Lydian Dominant A Super-Locrian scale goes with a minor seven, flat five chord (just like a Locrian scale does), not with a dominant chord. In my previous lesson, we explored the concept of generating musical tension and resolution by playing the Super Locrian (or altered scale) over altered dominant 7 chords. Note the 4 Tones in a row that help give this scale it's unique quality. | Super Lydian | Suspended Pentatonic | Aeolian Pentatonic Scale | Altered bb7 Mode The Lesson steps then explain how to identify the mode note interval positions, choose note names and scale degree names.. For a quick summary of this topic, have a look at Mode. Now, let’s continue working with this tonality and investigate some effective ways to reach beyond the typical ascending-and-descending ideas you hear guitarists play when they’re not 100-percent comfortable with a scale. In fact, if you’re serious about your study, I encourage you to check out the Frank Gambale Technique books, and my favorite, Garrison Fewell’s Jazz Improvisation for Guitar—A Harmonic Approach. At this point, some of you may run away with cries of “This is a bit beyond blues for my liking!” While I understand your concerns, I urge you to push on for three reasons: First, this is about as “beyond” as I’m going to take you (unless you really want to get complicated). D locrian mode. It’s a great way to increase your fretboard knowledge and technique. To recap what we covered previously, the Super Locrian scale consists of a dominant 7 arpeggio, along with the four alterations (b5, #5, b9, #9).