They are designed to simulate reflections, and echoes, and the decay of high versus low frequencies. That’s why a test take is important; here are a few tips on how to get the most out of the session. Step 4: Again not essential, but a mic under the snare can help to bring out the rattle of the snares, as well as improving the fatness of the overall sound. This technique will give a tight sound, focused on the snare – to tighten the sound further, you could set a hyper-cardioid pattern. Use your ears and experiment with the different types of reverb and see what works best with your drum sounds. Receive news and offers from our other brands? Compression is a fairly complex tool, and there is no ‘one-size fits all’ compression setting. (Either via USB cable, MIDI to USB converter or by … Microphones. Connect your drum kit to your computer via MIDI. The goal of compression is to even out unwanted level variations of a signal. Use your ears to achieve an optimal balance for reverb. Step 2: Get the drummer to beat the hell out of the kit. A full drum mic kit will be comprised of close mics and overhead mics. This applies to both the quality of the drummer’s performance and also how the drums themselves sound. Step 3: In a dead or bad-sounding room, the ambience won’t be great, but it’s useful to set up an ambience mic some distance from the kit anyway, as we’ll see later. If your overheads are good (see next page), you may end up using more of this in the mix than the top snare channel.   Please refresh the page and try again. Don’t get any closer than 5-6" to the skin, though. It’s understandable to feel that recording drums to a professional standard is both a challenging and expensive endeavor. No, that’s a myth – recording drums is actually surprisingly easy. Insert a delay plugin over the first return and set the L and R Delay times to 30ms and 60ms. Step 2: This next step isn’t essential, but is well worth trying. The drums lay down the foundation of every song and it’s crucial they are balanced, clear, and punchy. With all of the microphones set up, plugged in and the channels loaded into your recording software, run a test take and listen carefully for any rattles, buzzes or other source of unwanted noise. The last thing you want is a rat’s nest of cables when you’re troubleshooting! All rights reserved. If you are in a room with lots of carpet, thick curtains, and other objects inside the room to absorb noise, the room will sound dead as a result. • Overhead 1 (cardioid condenser, panned left) is about 4-6" above the floor tom, facing the hi-hats across the snare. Correct drum tuning is essential for achieving a good drum tone. This is another key to achieving a great recording prior to mixing the tracks. England and Wales company registration number 2008885. The click or guide drum loop can be MIDI-triggered or printed as audio. The important thing to remember is no matter what technique you use, the two overhead microphones have to be the same distance away from the snare drum to make sure the snare drum is in phase with the overheads and in center of your drum mix. When setting up the drums and microphones make sure you don’t have any stands touching each other. Each microphone should be delivering a clear signal into each respective channel in the DAW. It costs about £8 and makes fine-tuning snare sounds easy. Admittedly, it’s often the sound of a badly recorded kit that makes an otherwise great track sound like a ‘demo’, but if you follow some simple rules, you can avoid the pitfalls. Well, here are some other things that those pieces of drum software – and all the rest of them – don’t do. This is by no means a list of ALL of the sound recording tools available, but these are the most essential tools to enable the drums to sit well in a mix, whilst adding clarity and punch. What this means is that EQ allows you to adjust the frequencies of a signal to improve how it sounds. There are five main categories of reverb. Ideally, you’ll have a pair of large diaphragm condenser mics on tall stands two or three feet above the kit and about four feet apart. They are efficient and practical accessories for recording drums. Placing the microphone closer to the edge provides additional ring, and the center provides additional attack. If you’re making a rock track, you’ll need a ‘live’-sounding room or an adjacent live-sounding room where you can put ambient mics. Try and keep the hi hat and rack tom in the rejection zone of the microphone pick up pattern. This site is intended for informational purposes only. You will learn and discover new things by making some mistakes along the way. The aim is to capture a balanced, full sounding drum set from this microphone pairing. If nothing else, these can be used to trigger tom samples if your tom sound isn’t that great. If there’s a rug on a wooden floor, get rid of it – drums always sound better on a hard surface.