Then we come to the part of the drum set that really turns the drum into a musical instrument capable of a rather melodic performance… the toms. The kick is what drives the music. Hi, Geno thanks for stopping by. Watch Our Video To See New Features In Action, Processing Drums For A Natural Sound With The Help Of Sonnox, Want Classic Drum Sounds Using A Virtual Instrument? The amount of cut you will need to dial in will depend on your mix but don't be afraid to pull out over 6dB if the sound warrants it. Snare can be tuned in a variety of different pitches such as low loose thumps for AC/DC style rock or tight high-pitched cracks for funk. This site uses Akismet to reduce spam. Topics: drums, mixing drums By: ... EQ. High Shelf Boost: Setting a broad high shelf starting around 4kHz is also a fast way to sweeten kicks bringing focus to the click, though you need to be aware this may also brighten the sound of other surrounding kit pieces spilling into the kick channel such as cymbal or snare bottom bleed. Snare EQ Cheat Sheet (click to enlarge) Related Article: Fix a bad snare drum sound The snare drum can sit nicely in your mix, or it can be a total nightmare. The overheads microphones are arguably the most important, as they give you the overall sound of the drums, as well as the room that the drums are in. Between 2 to 3:1 should be good to keep things under control. The … When it comes to mixing drums, you really only need two plugins, the EQ and the compressor (in some plugins you can get both of them together). Attack/Hold/Release: 0ms/.05ms/150ms; Range: 40dB; Set threshold so that light hits still come through, but any ringing afterwards is gated; Wait…there’s more. Often times, the best choice is to EQ your kick drum on headphones. If you want a little more air on the hi-hats, try giving them a couple dB boost around 6K to 8 kHz. The frequencies generally to watch out for are 80 Hz, 350 – 450 Hz, and the “presence” frequencies around 5 kHz. Many people refer to … It’s very noticeable, maybe even more than the kick. Toms are tuned to different pitches so don’t be tempted to copy and paste EQ curves from one tom track to another. If you want to learn more about our affiliate partners, click here. See which one sounds good, or if you need to leave it flat. They also provide for picking up your cymbals as well since they are sometimes left out of individual miking. Try aiming for about 8 to 10 ms as general guideline. Many engineers rely on overhead channels for presenting the fuller picture of a kit in a room which is a great way of getting a sense of ambience in a drum mix. Drums are generally tricky to both record and mix. The common thread which tie many of these EQ tips together is establishing drum fundamentals and working around them if focus is needed. Bringing out a kick’s click or beater sound is, like our first drum EQ tip, simple and you have two ways of achieving this: Bell Boost: Set a bell boost around 2.5kHz - 4kHz. Let’s start with the most important, the EQ. After getting rid of those low mids, try to get some of that click and slapping sound by boosting the 2k – 3k range by a couple of dB. Start by adding a modest ratio. Your kick tracks may already sound flattering if you followed the mud removing EQ technique but do your kicks have presence? SYNZ, an experienced sound-engineer, presenting a tutorial on the basics of how to properly EQ a kick drum. This means that some the links on our site are affiliate links. By follow the guidelines, using your ears, and making sure you have the right tools for the job, you will be mixing perfect drums in no time. Now on to the actual EQ and compression techniques themselves. Without it, we wouldn't be able to add colour, definition, tone or sparkle which are all key for getting purposeful sounding drum mixes that works well when blended in amongst other instruments in a production.