When looking at acoustic pianos, there are so many variations that can lead to differences in tone: upright vs. grand, hammer types, mechanical condition, the player, mic choices, and mic techniques. - Since acoustic drum tracks have bleed, you should always EQ them while listening to all tracks together. HP filters can quickly clean mud from your mix and open things up, but too much can lead to a thin, weak-sounding mix equally as quick. That’s why we created this EQ cheat sheet for all your EQing needs. Below, you will find an EQ cheat sheet which will show you where to go and what to do to achieve your desired sound for each instrument. endstream Cut the electric guitar to remove the " … That being said, these tips can be helpful as a place to start your search, but are not gospel by any means. hbspt.cta._relativeUrls=true;hbspt.cta.load(245581, '99361e5f-1244-446b-be73-6fcc01148350', {}); Topics: That being said, I come from the camp that subtractive over additive tends to be better for your mix in most cases. EQ References. << /Contents 14 0 R /MediaBox [ 0 0 612 792 ] /Parent 23 0 R /Resources << /ExtGState << /G0 24 0 R >> /Font << /F0 25 0 R /F1 28 0 R /F2 31 0 R >> /ProcSets [ /PDF /Text /ImageB /ImageC /ImageI ] /XObject << /X0 7 0 R /X1 8 0 R /X2 9 0 R /X3 10 0 R /X4 11 0 R /X5 12 0 R >> >> /Type /Page >> Also, a quick note on the topic of high pass filters: use them. The sounds in your mix will always have their own context and characteristics. EQ should be applied sparingly and mainly as a corrective measure. Virtually undete­ctable, you can safely cut these freque­ncies. This thing is the Loch Ness Monster – there tends to be more under the water. Contemplating making some absurd boost? EQ tips Cheat Sheet by fredv. - Acoustic drums will often need lots of EQ. They can be your best friend, but be careful as they're a double-edged sword. Now, I'm not saying to live in a strictly subtractive world; I do make boosts from time to time when needed or appropriate, but it's probably a 3:1 or 4:1 ratio of cuts to boosts. This instrument chart is just a starting point. A note on acoustic guitar pickups (piezo, in particular): Making crazy 10 dB cuts? Sub bass Freque­ncies. Angry Sound Guy, << /Pages 23 0 R /Type /Catalog >> For more tips on getting the best sound every time, check out more from our resident "Angry Sound Guy.". Knowing the ranges that instruments and voices occupy in the frequency spectrum is essential for any mixing engineer. With all the signal processing available to us (EQ, compression and gating), it is easy to get overwhelmed. No matter what, though, the piano tends to be a behemoth in the mix – for better or worse – so most often you'll be looking to cut holes out for other things in your mix. %# , #&')*)-0-(0%()(�� C Cut to decrease bass "­boo­m" 80Hz. Kick Drum EQ. << /Linearized 1 /L 256552 /H [ 806 153 ] /O 6 /E 256275 /N 1 /T 256274 >> Meet your new best friend for fitting those fantastic frequencies! endstream Kick Drum EQ. stream kick drum 350-400Hz Cut to remove the 8" car dbo ard " sound of drum s - Notch the bass guitar a little bit to reduce presence 0.6-3kHz Provides presence, but are hard in nature. EQ Frequency breakdown (1/2) (cont) 800Hz Boost the bass guitar for punch. The reason the kick and the bass tend to be mortal enemies in many mixes is they can literally occupy identical sonic space from a frequency perspective. While the snare may arguably be the most vocal drum in the kit, the kick has an amazing array of possibilities for tonal shaping. So before reaching in with any EQ, listen to both and decide where one will take the lead over the other, and in which ranges. If the drums aren’t right, the mix lacks energy and loses its impact. Recording, This chart is a great starting point when you want to EQ drums for additional thickness and punch, EQ bass for low-end tightness, EQ guitars to give them power and attack or get your vocal EQ under control. endobj \��� �T���N���F�v�ۤ*[�?����R��IsJ�:����G4��N�i���^'1��6�ِ��e��)M����D��qc���`�Bw�O֣�V �'x4�j������D����Z�w�5�/�pe�J�:�V �'x4�j9�`�Bw�O֮mߙ�_�O�����\ n)뭼�NQ��o.,t?4��N�i��sJ�:����\ۿ3����57�s7�]��&�%���R��C�J�:����G4��N�i�ը b��������A�%I�0�t�,a�i��(�A��,ω�iy�iN�P�$��)#���"զG�����r�����{�� ��+��~�ҰN�;���W. The best way to deal with a true, clean 808 sample is to work around it. %���� Having seen both sides at all levels gives him the perfect perspective for shedding light on the "Angry Sound Guy." Now, I'm not saying to live in a strictly subtractive world; I do make boosts from time to time when needed or appropriate, but it's probably a 3:1 or 4:1 ratio of cuts to boosts. There are too many variables to even begin suggesting frequencies, so use your ears to guide you home on this one. 6 0 obj When setting up the kick drum EQ, the main thing to consider is the relationship between the kick drum and the bass. The human voice: simultaneously one of the most fickle and yet most important pieces of any mix. Usually it's good to look to anything clashing with the bass (80 to 180 Hz), and if it's feeling a little "chubby" in the middle and either can't get out of its own way or doesn't play nice with other mid-heavy instruments or guitars, look to make cuts somewhere between 300 to 500 Hz. Sometimes a guitar cab gets mic'd up differently night to night, plus every voice is unique, and every snare drum "speaks" differently (just ask a drummer). I'm not going to tell you "always notch this 9 dB here and add 3 dB here with a wide boost and, voila, perfect sound!" 1!Q�2AaqR����"Bb��4r���3S���#$C�� ? 4 0 obj x�cbd`�g`b``8 "�d@$�Xd&�m"����K�@�P�l�r�H�X� �����@��^�isA��0[��8�^����t�FJH ��c %PDF-1.5 "­Fee­l" only. This can be applied to all brass in general, but particularly with trumpet and trombone in mind. This article is to follow-up to Brad Pack’s great article on Equalizers, I’ll be providing an overview of EQ-ing drums along with a downloadable Drum EQ Cheatsheet at the end of the article. because it's unfortunately just not that simple. You asked, and you shall receive, Sonicbids blog readers. 9 Things Every Musician Loves to Hear from Fans, Family, and Friends, 8 Great Ideas for Naming Your Album When You're Stumped. ʢ�I6e�N�݊�o>iX'P�����敂u � ?Z��~gua�'�F���üO�����iX'P�����敂u � ?Z�͜Zj�|��� �pl9�:]�Xw�W��Ŏ�敂u � ?Z�iX'P������w�W��~g�>j\X�.iX'P�����敂u � ?Z��G�M�q�7\��e�i���IHZ�o�٫F����o�Gt�Q��%ke�N����R�6�������`�Bw�O֣�V �'x4�j�Zq��a�qL-� Aaron Staniulis is not only a freelance live sound and recording engineer, but also an accomplished musician, singer, and songwriter. Ah yes, the 808. Here's a detailed, instrument-by-instrument guide to EQ. Image by Bryan Ong via Flickr / CC BY-NC-ND 2.0. 7 0 obj << /Type /XRef /Length 94 /Filter /FlateDecode /DecodeParms << /Columns 5 /Predictor 12 >> /W [ 1 3 1 ] /Index [ 2 32 ] /Info 22 0 R /Root 4 0 R /Size 34 /Prev 256275 /ID [<1cffae17579aaaf0b4bf3fb2a135bbc1><1cffae17579aaaf0b4bf3fb2a135bbc1>] >> They also provide tips regarding fundamental and harmonic frequencies, subjective sounds like 'squeek' and 'presence,' and even information on the … If we're dealing with a real electric piano over a sample, things can be very situational as amp, mic'ing, and condition of the instrument itself can play such a huge role. endobj All of these minute changes and differences can and will affect the EQ decisions you'll have to make. If you do decide to go hunting, however: Image by knownaa via Flickr / CC BY-SA 2.0. Not everyone's ethos on EQ is the same, and most people may never see eye to eye on EQ approach. x�c`````Vc OC` �fb�bFA!��W�:)-��1�����5�-�Ap��WN�0X1�10 ̨� Step 1: Search. Add for tom "­boo­m". Remember! �Xt��+�.ć ��A�v�NU| �ҹS��Hh[ << /BitsPerComponent 8 /ColorSpace /DeviceRGB /ColorTransform 0 /Filter /DCTDecode /Height 298 /Subtype /Image /Type /XObject /Width 775 /Length 41989 >> In general, I find a light hand with broad strokes to be most effective on electric guitar, if any EQ is applied at all other than some filtering. 2 0 obj Tips. kick drum 350-400Hz Cut to remove the 8" car dbo ard " sound of drum s - Notch the bass guitar a little bit to reduce presence 0.6-3kHz Provides presence, but are hard in nature. EQ Cheat Sheet. EQ References. endobj He has spent equal time on both sides of the microphone working for and playing alongside everyone from local bar cover bands to major label recording artists, in venues stretching from tens to tens of thousands of people. - You can often filter hi-hat tracks aggressively. By that, I mean instead of rolling up an HP filter and listening until I think it's removed what I'm looking for, I start way above with "too much" HP filtering and roll it down until I feel that I have all the information on the bottom I need. Tips for equalization. So without further adieu, let's begin. Good for rock. This is why I'm such a strong believer in ear training and learning how certain parts of the frequency spectrum present themselves outside of their source-specific applications.