So, when you see a major seven chord in your lead sheet, and there’s no extensions or no … Here is a map of lydian scale written out as well that you can compare to the major scale. Instead, George Russell came up with his own theory which he called the Lydian Chromatic Concept of Tonal Organisation. While all my lessons are free, if you find them useful please consider donating to help keep them coming. On the treble clef, Middle C is shown with an orange ledger line below the main 5 staff lines. That, in a nutshell, is the Lydian Chromatic Concept. This step shows the notes when descending the C lydian mode, going from the highest note sound back to the starting note. 1st note is always tonic, 2nd is supertonic etc.) The Lydian Mode is the fourth of the seven modes. For a quick summary of this topic, have a look at Mode. , but obviously the note names will be different for each mode / key combination. The C lydian mode has 1 sharp. column. Say, we have a Cm7♭5 chord and we want to find a scale to use to improvise over this chord. It also shows the scale degree chart for all 8 notes. The further out you go (Aux Dim, Aux Dim Blues) it will sound more harsh and ‘dissonant’ and less related to the Lydian Tonic of G♭. The interval of a Perfect Fifths is the basis of the entire Lydian Chromatic Concept. F-sharp) or a flat(eg. G♭ Lydian will sound the most ‘pleasant’ or ‘consonant’ over this chord, and the most related to the Lydian Tonic of (G♭). Piano Scales Chart C C# Db D D# Eb E F F# Gb G G# Ab A A# Bb B Show All C Scales Hide Scales List C Major C Major pentatonic C Minor pentatonic C Dorian C Phrygian C Lydian C Mixolydian C Aeolian C Locrian C Blues C Harmonic Minor C Melodic Minor This means we can use the7 Principle Scales and 4 Horizontal Scales from E♭ over this chord (E♭ Lyd, E♭ Lyd Aug, E♭ Lyd Dim, E♭ Lyd♭7, etc.). Then list the 7 notes in the mode so far, shown in the next column. One way to look at modes is to imagine a piano. (adsbygoogle = window.adsbygoogle || []).push({});
. Now, of course, there is much more to the Lydian Chromatic Concept than this. Move up to D, and if you simply go from D-D without hitting a black note, you’ll be playing the Dorian mode. The ‘F’ is an ‘Avoid Note’ – that is, the note F clashes with the chord CMaj7. Middle C (midi note 60) is shown with an orange line under the 2nd note on the piano diagram. All scales not 'normal' were excluded from the results, please use the options below to see C lydian again with all the other scales compared to it Options: Include 'normal' scales Include Greek Mode Scales Include Altered Greek Scales (dorian b2, lydian #9, locrian 6, etc ...) Include Other Western Music Scales (less common scales like the double harmo In this mode, the 7th note is called the leading note or leading tone because the sound of the 7th note feels like it wants to resolve and finish at the octave note, when all mode notes are played in sequence. In contrast, all other modes, including for example the phrygian mode, have a whole tone (two semitones, two notes on the piano keyboard) between the 7th and 8th notes, and the 7th note does not lean towards the 8th note in the same way. The next most consonant interval is the ‘Perfect 5th’ (which, again, is why it is called ‘Perfect’). In a later step, if sharp or flat notes are used, the exact accidental names will be chosen. The scale has, for example, been present in modern classical music with a touch of folk music and can deliver a kind of mystic feeling. G-flat). Instead, George Russell came up with his own theory which he called the Lydian Chromatic Concept of Tonal Organisation. To apply this rule, firstly list the white key names starting from the tonic, which are shown the white column below. Applying the rule below ensures that when accidental adjustment symbols are added next to staff notes as part of composing music based on that mode, these accidentals will indicate that the adjusted note is not in that mode. Charts for C lydian on Guitar and Piano. Now, there’s something interesting about the C Major scale when played over a CMaj7 chord. ... And these 3 extra notes are the pretty notes you can add onto any major chord in your solo piano arrangements or anytime you use the major 7th chord anywhere in music. To count up a Half-tone (semitone), count up from the last note up by one physical piano key, either white or black. C Lydian for piano. The audio files below play every note shown on the piano above, so middle C (marked with an orange line at the bottom) is the 2nd note heard.
The Solution below shows the C lydian mode notes on the piano, treble clef and bass clef. So, according to Russell, every chord has at least 11 scales that can be used over it – creating different levels of dissonance. Middle C (midi note 60) is shown with an orange line under the 2nd note on the piano diagram. The rule ensures that every position of a staff is used once and once only - whether that position be a note in a space, or a note on a line. The pretty notes actually come for the lydian scale! See also Lydian Dominant. For these other modes, the 7th note is called the subtonic. Essentially, George Russell came up with seven ‘Vertical Principle Scale‘ based on a ‘Lydian Chromatic Order of Tonal Gravity’: He then derives chords from each of the degrees of each of the 7 Principle Scales and says you can use any of the 7 Principle Scales or 4 Horizontal Scales over any chord derived from one of the 7 Principle Scales. A question (or two): What would be the most natural scale to play over a CMaj7? Piano Scales Chart C C# Db D D# Eb E F F# Gb G G# Ab A A# Bb B Show All C# Scales Hide Scales List C# Major C# Major pentatonic C# Minor pentatonic C# Dorian C# Phrygian C# Lydian C# Mixolydian C# Aeolian C# Locrian C# Blues C# Harmonic Minor C# Melodic Minor