was a rare encounter between two titans Honeysuckle Rose 14. First guitar part I had read with real changes. Although a key member of Duke’s ensemble In our key of G major, that would be C major. Hey brother thanks for all the info I have already added this sweet little tune to our list.. Man! It’s so simple to learn the melody by ear, and yet it swings so hard that pros still love to jam on it. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. The final chord in typical blues progressions is the 5 chord, also called the dominant. All Rights Reserved Print and download C Jam Blues sheet music composed by Duke Ellington arranged for Piano. Alto Sax 2. Pianist Peterson recorded “C Jam Blues” a number of times in different contexts. Trombone 2. For starters, this version is in Bb rather than C. Rick features the saxes on the melody with inventive brass counterlines, and later a marvelous ensemble tutti section that starts soft then builds to the end. Oscar Peterson, Jimmy Smith, Duke Ellington (also known as Edward Kennedy) is the writer of this piece of music.. You can preview the first page of C-Jam Blues by clicking on the preview icon next to the the arrangement that you that you would like to view. Tenor Sax 2. C 4. In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,” etc.) Songs | It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band. In blues, the 1 chord is always the same as the key name. Eb 11. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,” featuring Louis on the vocal, with Ellington in 1961. and The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping. Scrapple from the Apple Bb 18. Our arrangements for C-Jam Blues can be seen below. Eb 15. Bass 5. - Standard 12 bar blues Playalong Jam Track for Piano on 8notes.com Bass clef melody is provided and where appropriate there are separate piano parts. C 8. This highly entertaining live recording has Smith fiddling and singing in front of a Danish audience and pianist Kenny Drew playing straight man to his musical hijinks. Search By posting, you give JazzStandards.com permission to republish or otherwise distribute your comments in any format or other medium. I remember comping to this song my freshman year of high school in the bottom band. them historically important. One such occasion Worries? and Armstrong’s easy-going vocal. that simply by virtue of the personnel make Bass 17. The vocal version of the song, here called “Duke’s Place” is represented best by the 1961 collaboration between Ellington and Armstrong (The Great Summit: the Master Takes). In G minor, the 4 chord would be C minor. C 16. C Jam Blues - John Pizzarelli Jazz Quartet @ La trastienda, Buenos Aires, 8 Jun 2011, C Jam Blues - Willie Thomas, Jamey Aebersold, C Jam Blues - Deseő Csaba, Joe Fritz Quartet - Háló Klub. Blues.” The All-Stars live 1947 recording The session, from April to “stretch out” on an extended solo. Once submitted, all comments become property of JazzStandards.com. ISCMS Big Band Download parts for C Jam Blues *These parts are intended only for use by students and teachers of ISCMS, for rehearsal purposes. Burgundy street blues, C Burgundy street blues, lyrics: 2004 200205 . “C Jam Blues.” These recordings have been selected from the. Your comments are welcome, including why you like Billies Bounce Bb 6. This swinging trio recording with Ray Brown and Ed Thigpen is unquestionably a highlight. moments delight, including the version of Eb 19. Another Ellington “composition” that was very likely improvised “on the spot” by his band members. The number was introduced in a Soundie short film. Basically a vehicle for jazz instrumentalists to display their improvisational skills, it is one of those pieces that is far more enjoyable for the player than the listener. Some magical He teaches music at the Idaho Arts Charter School, and is the jazz adjunct professor at Northwest Nazarene University. Duke Ellington’s 1942 take on “C Jam Blues” (Never No Lament: The Blanton-Webster Band) is the definitive recording of the song and a great “sampler” of many of the soloists in his band. JazzStandards.com reserves the right to edit or remove any comments at its sole discretion. Louis Armstrong. | I have played solid Blues and rock guitar all my life but somehow I find myself in a absurdly good jazz band without the least bit jazz knowledge, if it wasn’t for my voice they would probley toss me out..LOL. Fly me to the moon Bb 10. This great chart is recorded (1999) on the Azica CD "Swingin' the Blues." Eb, C and bass. C 12. Terry mutes his trumpet on this gentle reading of the song. Co-composer clarinetist Instrumental Solo in C Major. | Trumpet 2. The song became associated with clarinetist Barney Bigard, who was featured on a 1947 Louis Armstrong version (Satchmo at Symphony Hall). While known for his banjo work, Snowdon picks up guitar on this delightful track that finds him and guitarist Johnson briefly reminiscing before jumping into a pre-war blues rendition of the Ellington piece. | SKU: MN0026351 Camden is a working jazz pianist, multi-instrumentalist, and music educator currently living near Boise, ID. Not counting the film version, this is the first recording of “C Jam Blues” and it is a remarkable document of the band getting the space to jam. which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. C Jam Blues / Duke's Place Ellington Bb D7 Bb G7 D7 Bb A7 D7 [A7] Bb Some Scales: D Major Scale THINGS WORTH THE KNOWING D "Blues" Scale Bb There are recording sessions in jazz Other featured soloists on this all-star workout include Count Basie, Al Grey, Stan Getz, Harry “Sweets” Edison, Eddie “Lockjaw” Davis and Roy Eldridge. Jazz musicians, fans, and students of all ages use this website as an educational resource. Once Man, even with a two-note melody, I felt like the hippest little freshman in the band on this song. Eb 7. More at RICHJAZZ.COM. 44’’’’ D7 G 7 D ’’’’ & ## 5 ’’’’ G7 D7 B7 9 ’’’’ Em 7 A ’’’’ D 7B7 Em7 A C-Jam Blues. Baritone Sax. An understated, all-star horn section and a rhythm section that features Tyree Glenn on vibes swings this one with the greatest of care. from Boston’s Symphony Hall features a dazzling Bassist Stewart gets to show off his signature bowing-and-singing solo style at a high level here. You have entered an incorrect email address! Permission & contact information, New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Theory Click on any CD for more details at Amazon.com. Another chord used in blues progressions is known as the 4 chord, also called the subdominant. “Duke’s Place” with superb Ellington piano Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues” was one of his nightly features with Satch’s ensemble along with “Tea for Two.” Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980. Barney Bigard joined and featured frequently, he was rarely able Pianist McKenna likes to refer to himself as “a saloon player.” If that means he is a two-handed player who can provide rhythm, chording, and melodic lines at the same time while playing solo, he’s right. About. This section shows the jazz standards written by the same writing team. playing by Arvell Shaw. I have been looking for some easy stuff for a change. Most noteworthy here is Rahsaan Roland Kirk, whose solo virtually condenses the entire history of jazz saxophone into five powerhouse minutes. information, Home | As such, off-topic, off-color, unduly negative, and patently promotional comments will be removed. with Armstrong, however, he had several Bass 13. “C Jam Blues” was formally recorded under that title in January, 1942, for RCA Victor Records. Download and print in PDF or MIDI free sheet music for c jam blues by Duke Ellington arranged by mianseay for Trumpet (In B Flat), Saxophone (Alto), Saxophone (Tenor) (Mixed Quartet) 1961, has Ellington performing his own compositions Audio samples are below the video player. Learn how your comment data is processed. Especially Oscar. He lays a little boogie woogie on “C Jam Blues.”. Holman grabs this simple Ellington tune and runs with it. 1. Trombone 1. JazzStandards.com: The premier site for the history and analysis of the standards jazz musicians play the most.